Sunday, January 2010, the 24th | ||
JOSEPHUS THIMISTER** | ||
Monday, January 2010, the 25th | ||
ALEXIS MABILLE** | ||
CHRISTOPHE JOSSE** | ||
ANNE VALERIE HASH | ||
CHRISTIAN DIOR | ||
ADELINE ANDRÉ | ||
GIORGIO ARMANI PRIVÉ* | ||
Tuesday, January 2010, the 26th | ||
CHANEL | ||
STEPHANE ROLLAND | ||
MAURIZIO GALANTE | ||
ATELIER GUSTAVO LINS** | ||
DOMINIQUE SIROP | ||
GIVENCHY | ||
Wednesday, January 2010, the 27th | ||
ON AURA TOUT VU*** | ||
FRANCK SORBIER | ||
ELIE SAAB* | ||
JEAN PAUL GAULTIER | ||
LEFRANC.FERRANT** | ||
MAISON RABIH KAYROUZ** | ||
VALENTINO* | ||
Thursday, January 2010, the 28th | ||
BOUCHERON, CHANEL JOAILLERIE, CHAUMET, MELLERIO DITS MELLER, VAN CLEEF & ARPELS | ||
* Correspondents members **Guests members ***Accessories |
Monday, January 25, 2010
Expensive and beautiful
Couture Week in Paris has begun! Here is the Schedule for the events
Thursday, January 14, 2010
Bollywood Dreams | Patrick Demarchelier
This is an editorial that the great Patrick Demarchelier shot for India Vogue in 2007. The pictures are very cinematic and capture the essence of Bollywood beautifuly. I specially love the first spread, because it really looks like a dream; and the flowing golden dress under the yellow light of the streetlamps make a beautiful contrast with the bluish, dark background. The whole editorial has a very dramatic quality, I love how it showcases sheen, feathers and very big accesories that make a statement.
Vogue India 10/07
Editor: Lucinda Chambers
Models: Bipasha Basu, Gemma Ward,
Priyanka Chopra, Monikangana Dutta
Preity Zinta, Laxmi Menon
Hair: Sam McKnight
Makeup: Val Garland
Editor: Lucinda Chambers
Models: Bipasha Basu, Gemma Ward,
Priyanka Chopra, Monikangana Dutta
Preity Zinta, Laxmi Menon
Hair: Sam McKnight
Makeup: Val Garland
Friday, January 8, 2010
A little self-love is always good
Just to remind you to love yourselves, here's a little art I did yesterday :P
Tuesday, January 5, 2010
I want some Pleats... Please!
Today I spent all afternoon reading about Issey Miyake and designing a windowshop for my visual merchandising class. So now I want to share with you a little bit of what I found out.
Even though Issey Miyake is one of the most important japanese fashion designers, he doesn't like that title and prefers to think he is an artist that uses fabric as medium. He was born in Hiroshima in 1938 and survive the atomic bomb.
While he studied graphic design at the University of Tama in Tokyo, he felt influenced by the images of Richard Avedon, Hiro and Andy Warhol. After finishing his studies he moved to Paris and worked for Guy Laroche and Hubert de Givenchy. After that, he went to New York, where he worked with Geoffrey Beene. With all that experience, he went back to Tokyo and founded the Miyake Design Studio.
Pleats Please is one of Miyake's most popular lines and represents one of his most important principles: the true value of a garment is measured by the way it is integrated to everyday life and the comfort it brings to to the person who wears it.
Pleats Please starts in 1993, after Miyake develops a new technique where polyester garments are first cut and sewn 2 or 3 sizes bigger than the final product, and then pleated to permanently retain washboard rows of horizontal, vertical or diagonal knife-edge pleats. The final product is a light, comfortable and colorful garment.
I personally like the idea of beautiful, light and comfortable clothing; and the bright colors do make me a little happier but I still feel they lack some drama. Miyake is not one of my favorite fashion designers but I really admire his continuous research and development of new techniques.
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